Includes bibliographical references (p. 305-332) and index.
|Statement||William E. Nelson, Jr.|
|Series||SUNY series in Afro-American studies|
|LC Classifications||F73.9.N4 N45 2000|
|The Physical Object|
|Pagination||xx, 344 p. :|
|Number of Pages||344|
|ISBN 10||0791446719, 0791446727|
|LC Control Number||00020247|
In The Black Atlantic: Modernity and Double-Consciousness, critical theorist Paul Gilroy writes a history of African diasporic culture that he calls a “Black Atlantic” identity, incorporating elements of British, American, African, and Caribbean cultures. Gilroy uses W. E. B. Du Bois's idea of double-consciousness, which states that Black people are forced to understand themselves through other people's . black Atlantic cultural politics as weD as for its history. It is essential to emphasise that there is nothing definitive here. Black Atlantic culture is so massive and its history so little known that I have done scarcely more than put down some preliminary markers for more de tailed future investigations. His book, The Black Atlantic, is one of the pioneering works in the study of black diasporas, the spread of African blacks across the Atlantic coastline in the United States, the United Kingdom, the Caribbean, South Africa and many other nations. Paul Gilroy’s The Black Atlantic, which was first published in , remains remarkable for its introduction of the validity of ‘race’ as an analytical category in presenting the ‘Atlantic’ as a discrete geo-political unit in the modern capitalist world-system. 1.
Peter Gilroy’s “The Black Atlantic” is one of the books that could perhaps change my mind. Coming from a family of Caribbean immigrants to London, Gilroy is both European and black, a black Englishman. Being a black Englishman is in fact a provocation against modern racism per s: How might the black Atlantic as a concept, historical legacy, and political/cultural resource, help us gauge not only the enduring underwritten terms and conditions of black musical expression that have propped up authenticity claims in this genre, but also the limits of those standards to grant legitimacy vis-à-vis ever-changing definitions. The Atlantic covers news, politics, culture, technology, health, and more, through its articles, podcasts, videos, and flagship magazine. Winner of the Best Book on Comparative Racial and Ethnic Politics Presented by the American Political Science Association, Section of Race, Ethnicity, and Politics Groundbreaking research on Black political participation and urban race relations on both sides of the Atlantic.
This first comprehensive comparative study of Black politics focuses on American and British settings--Boston and Liverpool. The author argues that Black communities on both sides of the Atlantic face a host of social, economic, and political constraints produced by hierarchical racial systems that promote White dominance and Black subordination. This is about as an enlightening book as it is confusing. This is a paradigm shifting book in the field of Af-Am studies, and is very Foucaultian in its free-form incorporation of philosophy, history, and popular culture. A way to think about the Black Atlantic without using nationality or race. It complicates Dubois' double consciousness.4/5. In a final tour de force, Gilroy exposes the shared contours of black and Jewish concepts of diaspora in order both to establish a theoretical basis for healing rifts between blacks and Jews in contemporary culture and to further define the central theme of his book: that blacks have shaped a nationalism, if not a nation, within the shared. Afrocentrism. Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality 2/5(1).